Al Muħammad Al Qāsim’s utmost greedy relatives

Al Muħammad Al Qāsim’s

 utmost greedy relatives

  1.    Al Nadīm Al Quddūs Al Muħammad Al Qāsim’ half/real brother
  2.     Al Safiyah Al Ghaus Al Nadīm Al Quddūs’s awfully stunning wife, a mastermind, ex hostess of Las Vegas Nevada gambling house, the real brain power against Al Waħīdah Al Tawīd and Al Muħammad Al Qāsim.
  3.        Al Zakiyah Al Qāsim, Al Muħammad Al Qāsim’s sister
  4.          Vikram Bachhalyā, Al Zakiyah Al Qāsim’s husband
  5.           Al Lubnā Al Qāsim, Al Muħammad Al Qāsim’s one more sister
  6.           Pratāp Bachhalyā, Al Lubnā Al Qāsim’s husband
  7.          Al Hudā Al Qāsim Al Hāshmī, their advocate
  8.          Naåīmah Muħammad Ħasan, Al Safiyah Al Ghaus’s friend, philosopher and guide
  9. Naåīmah Muħammad Ħasan’s Seven Movements

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1. More Creative Adult Sex in English from Durgesh

2.Durgesh in Hindi/Urdu

3. Science Fiction

4. On History

5. Commentary on Ved

6. On Hinduism

7. On Islam

Dév Ānand to Amitābh Bachchan

Dév Ānand to Amitābh

Bachchan

DSM Satyarthi

Generally, the media presents the Indian Cine History keeping the box office into its central point of view.

Of course, if the commercial point of view is taken into consideration, it’s necessary.

But why should there a Multiversalist Humanist, as I am, study the same from commercial point of view?

I don’t.

I never.

Instead, moreover, I refuse to do so.

Instead, I study it, as I peruse everything else too, with the point of view to its worth to humanity.

I think we human beings should peruse everything with the same point of view.

So, I think Dév Ānand and Rāj Kapoor have contributed to humanity more than our tragedy king Dilip Kumar has.

The media writes Dilip Dév Raj trio.

I write Dév Raj Dilip trio.

I keep Dilip at the third place, not because I’m communal.

I put Sāħir Ludhiyānvī at the top when I write about Indian cine lyricists.

How was it possible if I were a communal?

I put Jāvéd Akħtar after Sāħir Ludhiyānvī even, not Ānand Baxī.

How was it possible if I were a communal?

I put Dr. APJ Abdul Kalām at the top when I write about the Presidents of India, not any Hindu whosoever he may be.

How was it possible if I were a communal?

No, I’m not communal.

I hate communalism instead.

From a humanist point of view, Dév Ānand and Rāj Kapoor have contributed to humanity more than Dilip Kumar has.

Of course, Dilip Kumar has contributed to box office more than Dév Ānand and Rāj Kapoor have.

But to humanity, Dilip Kumar has contributed less.

Tragedy clicked at the box office, those days, instead of the highest jubilant attitude of great Dév Ānand towards life and the highest constructive attitude of great Raj Kapoor towards the same, because most of the Indians those days were sufferers.

India had gotten its independence recently.

The sufferers identified themselves with Dilip Kumar’s tragedies more than with the highest jubilant attitude of great Dév Ānand towards life and the highest constructive attitude of great Raj Kapoor towards the same.

Divine Rajendr Kumar was out of question consequently then, even irrespective of his being Jubilee Kumar.

Even Sophisticated Ashok Kumar and Raj Kumar had lost at box office to the tragedies of Dilip Kumar.

The sufferers kept identifying themselves with the tragedies of Dilip Kumar.

Yet, as India progressed, the sufferers lost their majority.

It was the reason the tragedies of Dilip Kumar started to flop ultimately.

The life survives in jubilation, elation, triumph, joyousness, delight and euphoria, not in tragedies.

It is the reason the highest jubilant attitude of great Dév Ānand towards life and the highest constructive attitude of great Raj Kapoor towards the same, survived on the tragedies of Dilip Kumar and is still surviving.

It was the reason the ever first super star Rajesh Khanna with all the highest jubilant attitude of great Dév Ānand towards life and the highest constructive attitude of great Raj Kapoor towards the same, even with the singer Kishore Kumar of Dév Ānand, soon replaced the tragedies of Dilip Kumar.

Rajesh Khanna had the great divinity of Rajendr Kumar and sophistication of Ashok Kumar and Raj Kumar too.

Dilip Kumar had no alternative to lose to Rajesh Khanna.

Yet, Rajesh Khanna too had the same loser morals of the tragedies of Dilip Kumar.

Dilip Kumar acknowledged and honoured the success of Rajesh Khanna using his singer Kishore Kumar himself in Sagina.

Rajesh Khanna was the super cocktail of the highest jubilant attitude of great Dév Ānand towards life, the highest constructive attitude of great Raj Kapoor, divinity of Rajendr Kumar and the tragedies of Dilip Kumar.

It was the mystery of the success of great Rajesh Khanna on the tragedies of Dilip Kumar.

Yet, he had the same loser ethics, the tragedies of our tragedy king Dilip Kumar had.

Amitabh Bachchan succeeded in getting rid of it too.

Hence, the ultimate defeat of great Rajesh Khanna to even greater Amitabh Bachchan.

Amitabh Bachchan as he rose taller and taller, the tallest ultimately, was never a loser even as Rajesh Khanna was.

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More audio musical blogs from DSM Satyarthi:

1. Zindagi, aa raha hoon main

2. Zindagi ik safar hai suhana

3. Jo tum hansoge

4. Har Chehrā yahān chānd to har zarrā sitarā

5. Main jahan chala jaaoon, bahaar chali aaye

6. Socha tha pyar hum na karenge

7. The Star of the millennium: Amitabh Bachchan

8. Man re, tu kaahe n’ dheer dhare?

Man ré tū kahé n’ dheer dharé?

Man ré tū kahé n’ dheer dharé?

an interesting audio musical blog:

Just listen to, and enjoy

Click the links to some popular songs, in an interesting specific sequence.

Enjoy the songs as if a different  video audio story, implying an alogether different sense:

DSM Satyarthi

  1. Jiski jhél si gahrī ānkhon mein mérā man doobā
  2. Ye reshmi zulfen ye sharbati ankhen
  3. Mainé dékhā tūné dékhā
  4. Duniyā karé sawāl to hum kyā jawāb dén?
  5. Zulfon ko aap yoon na sanwaara karo
  6. Man ré tū kahé n’ dheer dharé?
  7. Kahān tak ye man ko
  8. Kis Kāran kāminī sharmāyé?
  9. Kajra lagā ke bindiya saja ke
  10. Aap ké paas jo āyégā pighal jāyégā
  11. Tora Man darpañ kahlāyé
  12. Man ré tū hi batā kyā gāūn?
  13. Zindagī ittefāq hai
  14. Sun Champa Sun Tara
  15. Yūnhī tum mujhsé baat kartī ho
  16. Hamén unsé muħabbat hai, magar hum kah nahīn sakté
  17. Ae kaash kisī diwane ko
  18. Ye kali jab talaq phool bankar khile
  19. Shola ulfat kā bhadka ke
  20. Allah ye ada kaisī hai in hasinon mein
  21. Man pukāré ré
  22. Bindiya chamkegi
  23. Tumhen dékhā hai mainé gulsitan mein
  24. Dil jo na kah saka
  25. Humsafar mere humsafar
  26. Bechara dil kya kare
  27. Zohra Jamal
  28. Baghon mein bāhar hai
  29. Rangilā ré téré rang mein
  30. Tum to dil ké taar chhéđkar
  31. Chūđi nahīn ye mérā dil hai
  32. Dil hāyé mérā dil dil se dil mil gayā
  33. Pyār ki mujh pé kyā nazar daali
  34. Koi na téré pahlé thi na téré båd hogī
  35. Tūné O Rangīlé kaisā jādū kiyā?
  36. O Kehdo kehdo pyār ki hum tamanna jawān kar lén
  37. Yeh kaisā sur mandir hai
  38. Ānkhon mein humné āpké sapné sajāyé hain
  39. Allah Allah Ya Baba
  40. Allah Allah Allah voh le gayā chandi chhalla
  41. Chupké sé dil dé dé
  42. Husn-e-Iran O mérī jaan
  43. Méré dil mein tu hi tu hai
  44. Din dhal jāyé hāyé raat n’ jāyé
  45. Dukh aur sukh ké rāsté
  46. Zindagī hansné gāné ké liyé hai pal do pal
  47. Na tujhse door ja sakoon
  48. Bye bye Miss, good night, kal phir miléngé
  49. Méré nainā sāwan bhādon
  50. Suno kaho kuchh hua kya
  51. Mere naina sāwan bhādon
  52. Karvaŧén badalté rahé sārī rāt hum
  53. Aaj phir jīné kī tamannā hai
  54. Ŧhandī hawāon né gorī kā ghūnghaŧ uŧhā diyā
  55. Gātā rahé mérā dil
  56. N’ jāné kyā huā jo tūné chhoo liyā
  57. Tum nahīn mānogé
  58. Rastā dékhé térā vyākul man mérā
  59. Paas nahīn aanā
  60. Kiskā maħal hai? Kiskā yeh ghar hai?
  61. Méré dil né tađap ké jab naam térā pukārā
  62. Main tumsé pyār kartī hūn
  63. Sun lé zamīn āsmān
  64. Mīŧhī mīŧī bāton sé man bhar dé
  65. Maine tumko piya kah diya
  66. Prabhu téro naam jo dhyāyé sukh pāyé
  67. Zindagi ik safar hai suhānā
  68. Jhuk gaīn ānkhén
  69. O méré dil ké chain
  70. Likhā hai térī ānkhon mein kiska afsānah?
  71. Too lājawāb bémisāl dilbar yaar dilbar jānī
  72. Main téré pyār mein pāgal
  73. Rang bharé mausam sé rang churā ké
  74. Kuchh bhi na kahā aur kah bhi gayé
  75. Jai jai Shiv Shankar
  76. Man tađpat Hari darshan ko aaj
  77. Aao Kanhāī méré dhaam ki din sé ho gaī shaam
  78. Roop térā mastānā
  79. Ahle dil yūn bhī nibhā lété hain
  80. Pyār kā dard hai
  81. Kuchh to log kahéngé
  82. Aur kya aħde wafā hoté hain?
  83. Chingārī koī bhađké
  84. Aur kya aħde wafā hoté hain?
  85. Dekho O dīwāno tum yeh kaam na karo
  86. Om shaanti Om
  87. ——————————————————————————————
  88. More audio musical blogs from DSM Satyarthi:
  89. 1. Zindagi, aa raha hoon main
  90. 2. Zindagi ik safar hai suhana3. Jo tum hansoge4. Har Chehrā yahān chānd to har zarrā sitarā5. Main jahan chala jaaoon, bahaar chali aaye6. Socha tha pyar hum na karenge7. The Star of the millennium: Amitabh Bachchan
  91. 8. Man ré tū kahé n’ dhkr dharé?

Par updésh kushal bahutéré

Par updésh kushal bahutéré

There are so many persons experts in preaching others

 

DSM Satyarthi

                When Pakistan was being fought for, there was one great Muslim who was sincerely and untiringly fighting against it, while even Bharat Ratn Dr. BR Ambedkar had written laboriously ‘Pakistan or Partition of India’ in the favor of Pakistan.

That great Muslim was Maulana Saiyad Abul Åālā Maudūdī raħamatullah ålayhi.

He argued:

Until and unless we don’t develop a true Muslim character in ourselves, it is dangerous for Islam even, to have our own country’.

How right the great man was.

Let’s watch a video what a character a Mufti has now developed  in the so-called Pakistan:

Pakistani actress lays it out for a mullah live on national TV!

What a character!

What a sense of justice!

Is it what they fought for?

Is it they killed thousands of persons for?

Rape with children in Madarsas?

Incredible?

But true, isn’t it?

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More on Islam from DSM Satyarthi:

1. Bal huv qur’anum majeedun fe LAUHIM MAHFOOZIN

2. Innahu laquranun kareemun Fee kitabin maknoonin

3. ‘Hudallilmuttaqeen’: ‘Guidance for controllers of organs’: 2 Al Baqarah: 2

4. ‘Alaa qalbik litakoon minal-munzireen’ ‘upon your heart one of who to warn’

5. Muslimahs! Come to India. I recommend Hindu lovers for all the Muslimahs.: Khadeejah Muhammad

6. Islam according to Qur’an and Maulana Maududi rahamatullh alaihi

7. A Moment of grave thinking for the entire sophisticated Muslim Community

8. ‘SET THIS WOMAN for WELL DOER’: ‘Imaam naareem Sukr’te dadhaat’

9. ‘V’ innahu fe UMMALKITAABI ladainaa la’liyyun hakeemun’: 43/4

10. Most Present day Muslms don’t do what Huzoor(SAW) did:

11. The Muslim beauties are wooing Hindu men FASTEST

12. ‘What really matters in the sight of God’: Maulana: Maududi

13. Why did Islam face a counter revolution at Karbala?

14. Why there are differences among us?

15. No differences Please!

16. Llā yamassuhu illā almutahharūn

17. Fa’in kħiftum allā tådilū fa wāħidatan

18. Islam according to Ved

19. Wa in tusliħū wa tattaqū: And if you correct and control yourself

20. Par updésh kushal bahutéré

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More Commentary on Ved from DSM Satyarthi:

1. R’gved: Mandal 1| Sookt 1| Mantr 1

2. R’gved: Mandal 1| Sookt 1| Mantr 2

3. R’gved: Mandal 1| Sookt 5| Mantr 3

4. R’gved: Mandal 1| Sookt 5| Mantr 3

5. R’gved: Mandal 1| Sookt 7| Mantr 5

6. R’gved: Mandal 1| Sookt 7| Mantr 8

4. R’gved: Mandal 1| Sookt 19| Mantr 1

5. R’gved: Mandal 1| Sookt 19| Mantr 2

6. R’gved: Mandal 1| Sookt 19| Mantr 3

7. R’gved: Mandal 1| Sookt 19| Mantr 4

8. R’gved: Mandal 1| Sookt 19| Mantr 5

9. R’gved: Mandal 1| Sookt 19| Mantr 6

10. R’gved: Mandal 1| Sookt 19| Mantr 7

11. R’gved: Mandal 1| Sookt 19| Mantr 8

12.R’gved: Mandal 1| Sookt 19| Mantr 9

13. R’gved: Mandal 1| Sookt 33| Mantr 1

14. R’gved: Mandal 1| Sookt 33| Mantr 2

14. R’gved: Mandal 1| Sookt 58| Mantr 6

15. R’gved: Mandal 1| Sookt 164| Mantr 20

16. R’gved: Mandal 1| Sookt 164| Mantr 46

17. R’gved: Mandal 2| Sookt 1| Mantr 1

18 R’gved: Mandal 3| Sookt 1| Mantr 1

19. R’gved: Mandal 3| Sookt 6| Mantr 2

20. R’gved: Mandal 4| Sookt 1| Mantr 1

21. R’gved: Mandal 4| Sookt 26| Mantr 2

22. R’gved: Mandal 5| Sookt 1| Mantr 1

23. R’gved: Mandal 6| Sookt 1| Mantr 1

24. R’gved: Mandal 7| Sookt 1| Mantr 1

25. R’gved: Mandal 8| Sookt 1| Mantr 1

26. R’gved: Mandal 9| Sookt 1| Mantr 1

27. R’gved: Mandal 9| Sookt 63| Mantr 4-5

28. R’gved: Mandal 10| Sookt 1| Mantr 1

29. R’gved: Mandal 10| Sookt 85| Mantr 42

30. Yajurved: Adhyaay’ 1| Mantr 1

31. Yajurved: Adhyaay’ 1| Mantr 2

32. Yajurved: Adhyaay’ 1| Mantr 3

33. Yajurved: Adhyaay’ 1| Mantr 4

34. Yajurved: Adhyaay’ 11| Mantr 1

35. Yajurved: Adhyaay’ 13| Mantr 4

36. Yajurved: Adhyaay’ 23| Mantr 3

37. Yajurved: Adhyaay’ 31| Mantr 18

38. Yajurved: Adhyaay’ 40| Mantr2

39. Yajurved: Adhyaay’ 40| Mantr8

40. Saamved: Mantr 1

41. Sāmved: Mantr 115

42. Sāmved: Mantr 641: Mahānāmnyārchik| 1

43. Sāmved: Mantr 650: Mahānāmnyārchik| 10

44. Sāmved: Mantr 651: Uttarārchik

45. Atharv Ved: Kaand 1| Sookt 1| Mantr 1

46.  Atharv Ved: Kānd 3| Sookt 30| Mantr 3

47. Atharv Ved: Kānd 3| Sookt 30| Mantr 4

48. Atharv Ved: Kānd 3| Sookt 30| Mantr 6

49. Atharv Ved: Kānd 4| Sookt 4| Mantr 6

50. Atharv Ved: Kānd 4| Sookt 4| Mantr 7

51. Atharv Ved: Kānd 4| Sookt 4| Mantr 8

52. Atharv Ved: Kaand 4| Sookt 13| Mantr 1

53. Atharv Ved: Kaand 8| Sookt 1| Mantr 6

54. Atharv Ved: Kaand 8| Sookt 4| Mantr 22

55.  Atharv Ved: Kaand 14| Sookt 1| Mantr 22

56.Atharv Ved: Kaand 14| Sookt 2| Mantr 25

The Star of the Millennium: Amitabh Bachchan

The Star of the Millennium:

Amitabh Bachchan

And his heroines

DSM Satyarthi

When he worked with Rajesh Khanna in Anand, none had anticipated he would successfully cross every boundary of stardom, yet he did.

His heroines range from heroines of yesteryears to those of present day even.

Waheedah Rehman, Sairah Bano, Tabbu and Jiah Khan, all are his heroines.

Waheedah Rehman has pride of working with our Star of the Millennium, Amitabh Bachchan, in Mahaan and Adalat, as his heroine.

1. Jidhar dekhoon teri tasveer nazar aati hai

2. Humka aisa vaisa na samjho, hum bade kaam ki chiz

Sairah Bano also succeeded in being his heroine in two films, Hera Pheri and Zameer.

3. Kaun anjam-e-ulfat nahin janta?

4. Tum bhi chalo, hum bhi chalen,

5. Phoolon ke dere hain

6. Tum bhi chalo, hum bhi chalen

7. Zindagi hansne gaane ke liye hai

It was a tragedy Amitabh Mumtaz were teamed only in one film, Bandhe Haath.

8. Yeh kaun aaj aaya mera dil churane?

9. Dekho ye mere bandhe haath

The most successful pair of Amitabh was with Parveen Bobby.

Even Zeenat Aman could not cross its success.

Zeenat Aman was Amitabh’s heroine in six films:

Lawaris

Don

The great gambler

Dostana

Mahaan

Pukar:

10. Kaahe paise pe itna ghuroor kare hai?

11. Kabke bichhde hue

12. Apni to jaise taise

13. Are diwano, mujhe pahchano

14. Jiska mujhe tha intezar

15. Khai ke paan Banaras wala

16. Yeh mera dil pyar ka deewana

17. Tum kitne din baad mile

18. O diwano, dil sambhalo

19. Do lafzon ki hai dil ki kahani

20. Bahut khoobsoorat jawan ek ladki

21. Dillagi ne di hawa

22. Mere dost, qissa ye kya ho gaya?

23. Aadhi baat ho chuki

24. Pyar mein dil pe maar de goli

25. Asli kya hai, naqli kya hai

26. Samundar mein nahake aur bhi namkeen ho gai ho

Parveen Bobby succeeded in working with Amitabh in Nine films:

Amar Akbar Anthony

Majboor

Kaalia

Khuddar

Mahan

Shaan

Kala Patthar

Suhaag

Namak Halal

However, in last three films, she was teamed with Shashi Kapoor, instead of with Amitabh Bachchan.

27. Kabhi sochta hoon

28. Sanam, tum jahan, mera dil wahan

29. Tum sath ho jab apne

30. Jabse tumko dekha

31. Angrezi mein kahte hain ki

32. Mach gaya shor sari nagri re

33. My name is Anthony Gonsalves

34. Humko tumse ho gaya hai pyar

35. Anhoni ko honi kar den

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More audio musical blogs from DSM Satyarthi:

1. Zindagi, aa raha hoon main

2. Zindagi ik safar hai suhana

3. Jo tum hansoge

4. Har Chehrā yahān chānd to har zarrā sitarā

5. Main jahan chala jaaoon, bahaar chali aaye

6. Socha tha pyar hum na karenge

7. The Star of the millennium: Amitabh Bachchan

Main jahān chalā jāūn, bahār chalī āyé

Main jahān chalā jāūn,

bahār chalī āyé

an interesting audio musical blog:

Just listen to, and enjoy

Click the links to some popular songs, in an interesting specific sequence. It is said that Mukesh is the tragedy king in singers. Hear these songs, and decide yourself why our tragedy king, Dilip Kumar, chose Muhammad Rafi as his voice, instead of Mukesh.

I think great Muhammad Rafi has given us more immortal tragedy songs than Mukesh even.

Enjoy the songs as if an audio story, implying an alogether different sense:

DSM Satyarthi

1. Main nigahen tere chehre se hataun kaise

2. Boojh mera kya naam re

3. Haal kya hai dilon ka na poochho , sanam!

4.Yahi hai tamanna tere dar ke samne

5. Main jahan chala jaaoon, bahaar chali aaye

6. Kahin pe nigahen kahin pe nishana

7. Tere mere sapne ab ek rang hain

8.Na jane din kaise jivan men aaye hain

9. Kabhi aar kabhi paar laaga teer-e-nazar

10. Turururu turururu tera mera pyar shuru

11. Shayad meri shadi ka khayal dil men aya hai

12.Dil jo na kah saka

13.  Dil se dil milne ka koi kaaran hoga

14.Man re tu kahe na dhir dhare

15. Gadi wale gadi dhire haank re

16.Rang aur noor ki barat kise pesh karoon?

17. Dukh bhare din bite re bhaiya

18. Din dhal jaye haye raat na jaye

19. Jaane kaise kab kahan iqrar ho gaya

20. Yeh duniya yeh mahfil mere kaam ki nahin

21. Phool jahan jahan bahar wahan

22. Yaad na jaaye bite dinon ki

23. Yeh samjho aur samjhao

24. Patthar ke sanam, tujhe humne

25. Koi maane ya na maane

26. Kah do koi na kare yahan pyar

27. Pyar hi jine ki soorat hai

28. Jo guzar rahi hai mujh par use kaise main bataaoon

29. Mohabbat bade kaam ki cheez hai

30. Aaj madhosh hua jaye re

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More audio musical blogs from DSM Satyarthi:

1. Zindagi, aa raha hoon main

2. Zindagi ik safar hai suhana

3. Jo tum hansoge

4. Har Chehrā yahān chānd to har zarrā sitarā

5. Main jahan chala jaaoon, bahaar chali aaye

Polygamy: A discarded System of Life

Polygamy: A discarded System of

Life

DSM Satyarthi

It is an established fact now that Polygamy is now almost out of our civilized systems of life.

Only some Islamic countries are practicing it now.

They claim Al Qur’an Al Kareem and Islam allow it.

‘Allow it’, Not order it.

Yet, it’s legal there.

The countries that practice monogamy always ridicule it, always criticize it and claim it’s against humanity.

Why?

They claim it’s a grand oppression on womankind.

Their claim is of course true if all the husbands are really Sukr’ts.

Is it true?

The oppression on womankind is still there if a husband is not a Sukr’t.

Monogamy has not stopped it.

Monogamy is not successful in stopping the oppression on womankind.

It’s only a lollipop the present civilized society has presented to the womankind.

Hinduism was stressing its optimum on humankind that it’s the only way to end the oppression on womankind to necessitate a Sukr’t and Sukr’t husband only.

If a man is not Sukr’t he must never be allowed to have any matrimonial rights at all.

The womankind was agreeing with Hinduism and avoiding a dushkr’t almost always as a husband.

The societies that were formed only to get rid of constant reforms Hinduism was adamant to bring in the mankind were upset how to face this practical problem.

Their own womankind was not only opting for a Hindu husband, they were resorting to have at least a clandestine Hindu lover, if it was not possible for them to have a Hindu husband.

The concerned societies were not worried of the oppression on their womankind.

They were never.

And to speak a never unspoken bold truth, they are not still now.

They have never considered it even as a possible option to end the oppression on their womankind to be Sukr’t themselves.

If they had there was nothing else to stop them from joining Hinduism.

Instead of doing this, they proposed monogamy and divorce to score on Hindus, to their own womankind.

Hence the monogamy and divorce were devised by non Hindu societies.

It was not for the benefit of their womankind to get rid of the oppression of their mankind.

No, it was not.

It was only claimed to be so.

Actually it was a lollipop to their own womankind to keep them away from a Hindu husband/ Hindu lover.

Gradually such non Hindu societies even started to claim, entirely shamelessly, that Hinduism oppresses womankind.

It practices polygamy and requires from womankind never to resort to any divorce at all:

Ihaiv stam mā vi yaushŧam vishvamāyurvyashnutam,

Krīdantau putrairnaptr’bhirmodmānau své gr’hé.

‘Remain ye both only here. Don’t be separated. Enjoy whole life sporting with sons grandsons, rejoicing in your own home.’

Ved: R’gved: 10|85|42

‘‘Ihaiv stam mā vi yaushŧam vishvamāyurvyashnutam,

Krīdantau putrairnaptr’bhirmodmānau svastakau.’

‘Remain ye both only here. Don’t be separated. Enjoy whole life sporting with sons grandsons, rejoicing in the beautiful home.’

Ved: Atharv Ved: 14|1|22

Their womankind fell for it because they were never told the true facts.

They were taught not to be educated.

Why education for women at all?

Why should they learn anything except to please their own mankind?

It explains why the non Hindu societies were so adamant not to educate their own womankind.

Their education liberated their women and sent them to Hindus.

When they could not stop them even then, they resorted to their Honor Killings even instead of controlling and improving themselves to be Sukr’ts.

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More thought provoking articles from DSM Satyarthi:

1. Why can’t we love each other?: Innallāh yuħibbul muttaqīn

2. Should we advocate abolishing religion from planet earth?

3. Does religion provide false security?

4. Polygamy: a discarded system of life

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1. More On Hinduism

2. On Islam

3. On History

4. Commentary on Ved

5. Science Fiction

6.  Creative Adult Sex in English from Durgesh

7. Durgesh in Hindi/Urdu

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More on Hinduism from DSM Satyarthi:

1. ‘Bhoorbhuvah svah!’ ‘The Existence! The Consciousness! The Bliss!’

2.‘Devasy’ pashy’ kaavyam, n’ mamaar, n’ jeeryati.’

3. Hinduism shines

4.Ved is the eternal law book having infinite knowledge in it for human beings

5. ‘According to facts’: ‘Yaathaatathyatah’

6. ‘SET THIS WOMAN for WELL DOER’: ‘Imaam naareem Sukr’te dadhaat’

7. The Evernew Hinduism: Yaathaatathyatah: Ved 2|40|8

8. ‘How to cross death’: ‘Tamev viditvaati mr’tyumeti’: Ved2Yajurved|31|18

9. According to Hinduism: We must be polite, not coward

10.Ye yathaa maam prapadyante taanstathaiv bhajaamyaham: Lord Kr’shn

11. N’ karm lipyaté naré

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More on Islam from DSM Satyarthi:

1. Bal huv qur’anum majeedun fe LAUHIM MAHFOOZIN

2. Innahu laquranun kareemun Fee kitabin maknoonin

3. ‘Hudallilmuttaqeen’: ‘Guidance for controllers of organs’: 2 Al Baqarah: 2

4. ‘Alaa qalbik litakoon minal-munzireen’ ‘upon your heart one of who to warn’

5. Muslimahs! Come to India. I recommend Hindu lovers for all the Muslimahs.: Khadeejah Muhammad

6. Islam according to Qur’an and Maulana Maududi rahamatullh alaihi

7. A Moment of grave thinking for the entire sophisticated Muslim Community

8. ‘SET THIS WOMAN for WELL DOER’: ‘Imaam naareem Sukr’te dadhaat’

9. ‘V’ innahu fe UMMALKITAABI ladainaa la’liyyun hakeemun’: 43/4

10. Most Present day Muslms don’t do what Huzoor(SAW) did:

11. The Muslim beauties are wooing Hindu men FASTEST

12. ‘What really matters in the sight of God’: Maulana: Maududi

13. Why did Islam face a counter revolution at Karbala?

14. Why there are differences among us?

15. No differences Please!

16. Llā yamassuhu illā almutahharūn

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More Commentary on Ved from DSM Satyarthi:

1. R’gved: Mandal 1| Sookt 1| Mantr 1

2. R’gved: Mandal 1| Sookt 1| Mantr 2

3. R’gved: Mandal 1| Sookt 5| Mantr 3

4. R’gved: Mandal 1| Sookt 5| Mantr 3

5. R’gved: Mandal 1| Sookt 7| Mantr 5

6. R’gved: Mandal 1| Sookt 7| Mantr 8

4. R’gved: Mandal 1| Sookt 19| Mantr 1

5. R’gved: Mandal 1| Sookt 19| Mantr 2

6. R’gved: Mandal 1| Sookt 19| Mantr 3

7. R’gved: Mandal 1| Sookt 19| Mantr 4

8. R’gved: Mandal 1| Sookt 19| Mantr 5

9. R’gved: Mandal 1| Sookt 19| Mantr 6

10. R’gved: Mandal 1| Sookt 19| Mantr 7

11. R’gved: Mandal 1| Sookt 19| Mantr 8

12.R’gved: Mandal 1| Sookt 19| Mantr 9

13. R’gved: Mandal 1| Sookt 58| Mantr 6

14. R’gved: Mandal 1| Sookt 164| Mantr 20

15. R’gved: Mandal 1| Sookt 164| Mantr 46

16. R’gved: Mandal 2| Sookt 1| Mantr 1

17 R’gved: Mandal 3| Sookt 1| Mantr 1

18. R’gved: Mandal 3| Sookt 6| Mantr 2

19. R’gved: Mandal 4| Sookt 1| Mantr 1

20. R’gved: Mandal 4| Sookt 26| Mantr 2

21. R’gved: Mandal 5| Sookt 1| Mantr 1

22. R’gved: Mandal 6| Sookt 1| Mantr 1

23. R’gved: Mandal 7| Sookt 1| Mantr 1

24. R’gved: Mandal 8| Sookt 1| Mantr 1

25. R’gved: Mandal 9| Sookt 1| Mantr 1

26. R’gved: Mandal 9| Sookt 63| Mantr 4-5

27. R’gved: Mandal 10| Sookt 1| Mantr 1

28. R’gved: Mandal 10| Sookt 85| Mantr 42

29. Yajurved: Adhyaay’ 1| Mantr 1

30. Yajurved: Adhyaay’ 1| Mantr 2

31. Yajurved: Adhyaay’ 1| Mantr 3

32. Yajurved: Adhyaay’ 1| Mantr 4

33. Yajurved: Adhyaay’ 11| Mantr 1

34. Yajurved: Adhyaay’ 13| Mantr 4

35. Yajurved: Adhyaay’ 23| Mantr 3

36. Yajurved: Adhyaay’ 31| Mantr 18

37. Yajurved: Adhyaay’ 40| Mantr2

38. Yajurved: Adhyaay’ 40| Mantr8

39. Saamved: Mantr 1

40. Sāmved: Mantr 115

41. Sāmved: Mantr 641: Mahānāmnyārchik| 1

42. Sāmved: Mantr 650: Mahānāmnyārchik| 10

43. Sāmved: Mantr 651: Uttarārchik

44. Atharv Ved: Kaand 1| Sookt 1| Mantr 1

45.  Atharv Ved: Kānd 3| Sookt 30| Mantr 3

46. Atharv Ved: Kānd 3| Sookt 30| Mantr 4

47. Atharv Ved: Kānd 3| Sookt 30| Mantr 6

48. Atharv Ved: Kānd 4| Sookt 4| Mantr 6

49. Atharv Ved: Kānd 4| Sookt 4| Mantr 7

50. Atharv Ved: Kānd 4| Sookt 4| Mantr 8

51. Atharv Ved: Kaand 4| Sookt 13| Mantr 1

52. Atharv Ved: Kaand 8| Sookt 1| Mantr 6

53. Atharv Ved: Kaand 8| Sookt 4| Mantr 22

54.  Atharv Ved: Kaand 14| Sookt 1| Mantr 22

55.Atharv Ved: Kaand 14| Sookt 2| Mantr 25